கதை கேளு, கதை கேளு

Always had a doubt on whether Santhana Bharathi, Singeetham seenivasa rao, is as talented as the likes of their contemporary greats like Mani, Bharathi raja. They have taken various classic comedies and some melancholy, extra ordinary classics and those scripts don’t have anything similar except for one man Kamala hasan. So, Is it really true that kamal uses these directors as just ghost directors and just for the fame of their names. If so, as a kamal fan, I’ll strongly object it because I don’t believe the name KAMAL is fewer crowd pulling or less charismatic or less familiar than the other names.

I have heard that Mr.Singeethem is known for the fame of making trick shots like vital acharya. So, is it the reason why kamal should have opted this man? Remember all the kamal movies directed by Singeetham needs trick shots ( Aboorva sagotharargal, Michael madana Kama Rajan, Mumbai Express, Kadhala Kadhala). Also, Singeetham is quite a fame in telugu industry. Kamal also known for his business mind could’ve used it to lure the telugu crowd.It would be quite faulty to add K.S.Ravikumar among the likes of these. I have a slight instinct that he wouldn’t have been used as another ghost director. And what about Santhana bharathi? Mm.. though I want to be centric, (I’m alien to the real cinema world) I cannot avoid shrinking my whole face when I see Santhana bharathi as the director in the title card of “GUNA”. அப்போ , அன்பே சிவம் director ? அய்யோ ! அய்யோ !

In Michael, madana, kama rajan just after the end of the title card song (“Bioscope ல கதை கேளு, கதை கேளு ) , the father of the wealthy madan hangs his son’s portrait (செம smart பாஸ்) in the background and in the foreground the title card flashes “Direction : சிங்கீதம் சீனிவாச ராவ்”.

Any உள் குத்தம் friends ?